Embedded Files
Engraving of a Becoming, 2026 Hand-carved woodcut matrices, black-and-white prints, mixed-media installation. Structures draw on Thammas (Buddhist pulpit) and Ho-Trai (monastic library), combining wood, metal, glass, and acrylic. Single-channel video projection in interior space. Concept visualization; digital rendering of proposed installation. Courtesy of the artist © Zedaram
Engraving of a Becoming, 2026 Hand-carved woodcut matrices, black-and-white prints, mixed-media installation. Structures draw on Thammas (Buddhist pulpit) and Ho-Trai (monastic library), combining wood, metal, glass, and acrylic. Single-channel video projection in interior space. Concept visualization; digital rendering of proposed installation. Courtesy of the artist © Zedaram
Gravure d’un Devenir, émerge comme une installation façonnée par une survie prolongée, où la pression ne se dissipe pas mais se comprime dans le corps de la ville.Les images de chute de cheveux due à la chimiothérapie se superposent au rituel de la tonsure et à l’acte improvisé de se renommer. Le corps est réduit à une unité au sein d’une structure saturée qui régule l’existence.Les entailles pratiquées dans le bois et leur transfert par l’impression ne cherchent pas à produire de nouvelles formes, mais à laisser des traces d’une gestion stratifiée, d’une application de contraintes et d’un effondrement différé. La lumière qui s’infiltre par les jointures affirme que le corps continue de respirer, sans jamais pleinement. Le devenir, dans cette œuvre, n’est pas une promesse, mais un processus qui surgit entre matière, espace et temps.
Engraving of a Becoming, emerges as an installation shaped by prolonged survival, where pressure does not dissipate but is compressed into the body of the city.Images of hair loss from chemotherapy overlap with the ritual of head shaving and the improvised act of renaming. The body is reduced to a single unit within a saturated structure that regulates existence.The cuts made in wood and their transfer through printing do not aim to generate new forms, but to leave traces of layered management, enforcement, and deferred collapse. Light seeping through joints affirms that the body continues to breathe, though never fully. Becoming, in this work, is not a promise, but a process arising between material, space, and time.
Engraving of a Becoming, emerges as an installation shaped by prolonged survival, where pressure does not dissipate but is compressed into the body of the city.Images of hair loss from chemotherapy overlap with the ritual of head shaving and the improvised act of renaming. The body is reduced to a single unit within a saturated structure that regulates existence.The cuts made in wood and their transfer through printing do not aim to generate new forms, but to leave traces of layered management, enforcement, and deferred collapse. Light seeping through joints affirms that the body continues to breathe, though never fully. Becoming, in this work, is not a promise, but a process arising between material, space, and time.
Engraving of a Becoming, 2026 Hand-carved woodcut matrices, black-and-white prints, mixed-media installation. Structures draw on Thammas (Buddhist pulpit) and Ho-Trai (monastic library), combining wood, metal, glass, and acrylic. Single-channel video projection in interior space. Concept visualization; digital rendering of proposed installation. Courtesy of the artist © Zedaram
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